During the prison coup, he tries to calm Sal by pointing out their pleasant surroundings, similar to Gonzalo in The Tempest trying to cheer Alonso by praising the island they’re stuck on. He is described as a “decent man but a paralyzing bore." He is sentimental and tries to save Felix’s job but is outvoted by the rest of the Board. Lonnie GordonĬhair of the Makeshiweg Festival Board. She falls in love with Freddie by the end of the story, similar to Miranda and Ferdinand in The Tempest. Similar to their roles of Miranda and Prospero, Anne-Marie and Felix share a close, father-daughter bond, despite not actually being related. She is hired by Felix twelve years later to play the same role in his Fletcher Correctional Players' production of The Tempest. Anne-Marie GreenlandĪn actress, dancer, and former gymnast who is cast in the role of Miranda in The Tempest as a teenager before the production gets canceled and Felix is fired. His character is mirrored by that of Ferdinand in The Tempest. Sal loves him but doesn’t agree with his choice to become an actor/director and plans on forcing him to go to law school.įreddie quickly falls in love with Anne-Marie upon meeting her and eventually is hired as Assistant Director at the Makeshiweg Festival. Sal’s adult son and aspiring actor/director. His character is mirrored by that of Sebastian in The Tempest. He is running against Sal for the position of federal party leader and is described as being a “weak-spined yes-man” with ancestors who were also politicians. Minister of Veteran Affairs and one of the three politicians who make a visit to the Fletcher prison for Felix’s play. He quickly becomes extremely distraught once the prison coup gets underway and he believes they’ve killed his son, Freddie-similar to Alonso’s dejection in The Tempest when he believes his son Ferdinand has drowned. Later in the story, Sal is in the running to become the federal party leader, although he’s made many enemies with his reputation for using people and then discarding them. Felix feels betrayed by him when he loses his position at the Festival, knowing that Sal is partly to blame. He works closely with the Festival Board and Tony. At the beginning of the novel, he is the Heritage Minister, before going on to become the Justice Minister at the federal level. His character mirrors that of the antagonist Antonio in The Tempest. He seems to make these suggestions of murder lightly, without any remorse, all for the sake of moving himself up in the world, showing that his scheming has no limits. This would clear the way for Sebert to assume leadership of his political party.
When he believes that he and Sebert are speaking privately amidst the prison coup, he proposes that they kill both Sal and Lonnie and make it appear as if the prisoners did it.
He is a serious social climber and has no problem treading on others in order to get ahead. Tony goes on to win accolades and is eventually elected as a Member of Provincial Parliament and later the as Heritage Minister at the federal level. He usurps Felix’s position as Artistic Director and plays a role in his termination at the Festival, which is the only thing Felix still has in his life after the deaths of his wife and daughter.
Tony is Felix’s rival at the Makeshiweg Theatre Festival and the main antagonist of the story. His character mirrors that of Prospero in The Tempest, and he casts himself in this role in his prison production. Miranda is also always in the back of his mind and maintains a huge presence in his life for years after her death. He is filled with thoughts of revenge against Tony and the people he feels betrayed him.
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He can be somewhat manipulative, knowing when and how to stroke a person’s ego in order to get them to do his bidding. He leaves the town of Makeshewig and lives in a small, remote cabin under the alias of Mr. His position is taken by his former protegee, Tony, and he feels immense anger and betrayal over this. He is fired by the Board during the planning stages of The Tempest because they think he is mentally unstable and the direction he is taking the play in is too outlandish and will draw intense criticism. Three years later, his young daughter dies suddenly from an illness, which plunges him into a depression from which he tries to distract himself with a new staging of The Tempest. Their daughter Miranda is born a year later and Nadia dies of complications after the birth. He marries his wife Nadia when he is middle-aged. An aging Artistic Director of the Makeshiweg Theatre Festival and sometimes actor.
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